Bach Bibliography
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Series : ^19cM$
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TypeListTitle [further info]SeriesVolNoYearPagesStatus
[]
1. Of Sea Gulls and Counterpoint: The Early Versions of Mendelssohn's Hebrides Overture. 19cM 2 3 Mar 1979 197-213
2. Brahms's Performances of Early Choral Music. 19cM 8 2 Autumn 1984 125-141
3. 'Quotation' and Paraphrase in Ives's Second Symphony. 19cM 11 1 Summer 1987 3-25
4. Nineteenth-Century Ideas Developed in Bartok's Piano Notation in the Years 1907-14. 19cM 11 1 Summer 1987 73-91
5. 'Gradus ad Parnassum': Beethoven, Schubert, and the Romance of Counterpoint. 19cM 11 2 Autumn 1987 107-120
6. Bach's 'Erbe': The Chorale in the German Oratorio of the Early Nineteenth Century. 19cM 11 2 Autumn 1987 121-149
7. The Finale of Brahms's Fourth Symphony: The Tale of the Subject. 19cM 13 1 Summer 1989 3-17
8. 'Aber eben dieser Zweifel': A New Look at Mendelssohn's 'Italian'. 19cM 15 3 Spring 1992 169-187
9. Mendelssohn's 'Scottish' Symphony and the Music of German Memory. 19cM 19 1 Summer 1995 68-82
10. The Great Warum? Job, Christ, and Bach in a Brahms Motet. 19cM 19 3 Spring 1996 231-251
11. How German Is It? Nationalism and the Idea of Serious Music in the Early Nineteenth Century. 19cM 21 3 Spring 1998 274-296
12. Reger's Bach and Historicist Modernism. 19cM 25 2-3 Autumn2001-Spring 2002 296-312
13. Saint Elsewhere: German and English reactions to Mendelssohn's Paulus. 19cM 32 1 Summer 2008 26-51
14. How Did J. S. Bach's 'Aus Liebe will mein Heiland sterben,' BWV 244/49, Get to Be So Slow? 19cM 43 1 Summer 2019 3-16

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